Listening to: SKYZOO: JJ vs. THEO/ BY ANY MEANS NECESSARY
Reading: BD LAYOUTS
Watching: BLACK DYNAMITE SEASON FINALE
Playing: POSSUM
Eating: WACK ARTISTS ALIVE
Drinking: WATER
I know there are a lot of foreign art/animation fans here on DA, fans of works and artists from Europe and Japan. Dai Sato, the legendary writer for classic, foreign TV shows such as COWBOY BEBOP, GHOST IN THE SHELL and WOLF'S RAIN explains the process of creating an animated series in japan. Take notes for you students/fans out there and enjoy!
I feel the sudden urge to pursue animation work in Japan now given my Japanese background... Any advice/knowledge on getting into that industry as a foreigner, LeSean?
This is meant for mangaka in Japan, however some of the advice is universal for all work in Japan: [link]
Getting a work visa, and finding a place to live is supposedly pretty hard, much less finding a job. In other words you'd better already be pretty darn good at your job before thinking about moving.
I found it interesting when he was talking about the American students, and how they have an unapologetic view towards anime. I think a lot of Americans don't get that anime isn't exactly socially popular among most people of Japan. In fact, the word "otaku" is considered derogatory in Japan, where as here many view it as something to be very proud of. Some let it get to a point where they think they love Japan, where in actuality they love a small percentage of it's culture.
Getting a work visa, and finding a place to live is supposedly pretty hard, much less finding a job. In other words you'd better already be pretty darn good at your job before thinking about moving.